Select

Tags

Art Inspires Art - Working Collaboratively    Saturday, June 4, 2016

Art Inspires Art

Marcia Eager my Wesleyan Potters co-op buddy and I installing a small installation. 

Russel Library - Middletown, CT

4 Artists Metal and Clay Through August 2016

Art accountability buddies and peer networking groups can be a way to keep your art practice moving forward.  Meeting with other artists and creative friends regularly to share recent work, talk about where you are in your creative biz and hearing about the creative practice of others can help you stay inspired, motivated and on track. Working side by side in the studio can become a catalyst for creativity.  The energy of the creative environment seems to expand ideas for all parties involved.

Marcia Eager, Cheryl Tuttle and Myself Bowlapalooza 2014

We co-chaired a spring fundraiser for many years at our co-op this was our last year!

Even so when it comes down to it the work is always yours to do, you need to get into the studio and work. Even if your studio is a desk top or cleared off corner of the kitchen table – optimally you should try to make something every day.  Anything and everything creative counts – drawing, sketching, doodling, or even working in a second creative medium; it all works and builds your creative muscle. I often have my young drawing and painting students switch off and 3D projects such as clay sculpture, fiber arts and metal or wire sculptures because it expands how we see as artists. When we return to the flat surfaces of paper or canvas we do so with a new and expanded ability to render.

My Exploratory Art kids participate in a collabrative public art project on the grounds of the Guilford Art Center to raise awareness about endangered butterflies.

As a teaching artist I am connected to two wonderful non-profit art centers and have lots of artistic and creative friends.  I also belong to a long standing juried women’s art organization where I can network and meet with other women artists.

In my days as a young artist I had a standing art date with my dear friend Mary.  Each Monday we met and painted for the entire day.  This standing art accountability date was very important to both of us as we were both beginning in our craft and working day jobs. Today I have a core group of women who I like to create with – we meet at our co-op and work in clay and metals and gather at our homes to make mixed media art.  We bounce ideas and teach each other new techniques, concepts and processes. I believe that this is beneficial and helps us grow as individual artists.

Wisdom Shared Lois Eldrich and Lori Lapin Wesleyan Potters Co-Operative

I try to bring the spirit of collaborative art into the classroom with even my youngest students. This week I introduced the idea of conceptual art and temporary art installations to my Kindergarten through Second grade kiddos at the Guilford art center.  It being spring we talked about butterflies and the Monarch in particular once being very common in our area having dwindling numbers due to the lack of the #1 food source the milk weed pod because of spraying and reduced open wild spaces.  We talked about artists creating temporary art in public spaces that brings awareness to issues and ideas that are important to the community and to society as a way to voice an opinion.  We had messy paint-y fun creating butterfly silhouettes on the lawn in white paint.  They will eventually fade away with the trimming of the grass – as will our butterflies if nothing is done to reverse the damage to their habitat. Even the youngest children can grasp the concepts and benefit from participation in community and art collaboration – and have a really good time doing it!

Day 1 - Self Portraiture As Medicine with Catherine Just    Saturday, May 28, 2016

 Self Portraiture As Medicine

Join in at www.catherinejust.com/self-portraiture-as-medicine

Day 1 Prompt - Turn May28, 2016

Day 2 (re)Lease May 29, 2016

Day 3 (re) Vive May 29, 2016

 

 

 

Stalked    Thursday, May 19, 2016

Stalked

Free 2016 Mixed Media on Canvas 16"x20" Marcy LaBella

Ok – so I usually keep this blog to lighter topics – art and community, creativity, making art with children and things I am truly passionate about.  Today because of a post I saw on Facebook I am going to talk about something that I rarely discuss – I have a stalker. Not a joke, a real life, 30 plus year stalker.   My stalker is blocked on Facebook, but occasionally someone will reference IT by name – I refuse to give it a human pronoun at this point, and today it infuriated me. Last year I had a similar reaction – a nice picture of a group of us – a young, happy crowd posing for a group shot in a hip night club where we all used to hang out – Happy Times?  No – there IT was…two rows behind me – IT the stalker.

 It started out harmlessly with a guy who was kind of a square peg who hung out on the fringes of the very cool and eclectic music scene that was a big part of my youth.  His band was not one of the cool ones, his friends were few and he was not in with the in crowd.  Our scene was not a mean one though, and everyone was welcome, no one was shunned or treated like an outcast.  We were all quirky, different and everyone –even the very strange were accepted. When does a harmless crush cross over the line, take the corner, become stalking?

Photo by Wendy Horowitz

At first it was just awkward; I was dating someone and then someone else which he knew at the time.  I was not interested anyway. He repeatedly called my family home and soon everyone was instructed to tell IT I was not at home no matter what – IT was constantly calling and wanting to talk about nothing. IT wrote an embarrassing song with my name as the title and wondered why I ran out of the bar in horror when IT’s band played it.  It did not end there, even after a few years and the scene having kind of split up a bit. I was living on my own at the time and I remember changing some musical gear and placing an ad in the local musician’s paper to sell an amplifier with just my first name and phone number – mistake…the calls started again and messages started to be left regularly on my machine.  I moved around a bit back then and then my phone number changed and IT lost my trail.  I got married and changed my last name - great – anonymity or you would think.   Nope, fast forward a few years later and I got a phone call at the business that I owned with a friend.  IT was now living out of state, working for a credit card company, the one where I had my business account. Yes IT recognized my name (Maiden must have been listed on the account) when IT was working and used my confidential information to look me up at work. I told It I was married and not to contact me again. It sent me IT’s latest CD instead.  At the time my husband wanted to call the police or the FBI because of the security violation.  I remembered a harmless, overweight and socially awkward young man and brushed it off, a mistake I regret today.

Fast forward again to the 2000’s and IT’s back in the area.  Just in time for the reunions of our music scene, Facebook groups popping up and social media.  IT sent 3 friend requests back when you could do that on Facebook and I ignored them all.  On the last one I told IT I wanted no contact – because IT had violated my privacy and had used my personal credit card information to contact me which was a federal offence.  IT stopped sending the requests but that did not stop IT from going to the local events and trying to initiate conversation or pretending to need to walk by my table or area multiple times a night.  IT was repeatedly told to leave me alone by my male friends. At this point I began to tell at least the people who were local that IT was a stalker. One thing I noticed that had changed was that now IT drinks when before IT was always sober.

 I know the “incident” that pushed it over the edge was 3 years ago because it just came up on my Facebook “memories”.  My friend and I went to see the Darkness in New Haven.  IT was there.  It kept walking by as IT does, close by, and pretending not to be doing it intentionally.  We weren’t worried about IT because we were with my friend's brother and his friend and they are if I must say so – pretty badass.  We were completely engrossed in the show and all of a sudden I looked up and IT was coming towards us. I was horrified and waved my hands and backed up and it kept coming closer and closer and IT grabbed my hand as I tried to move away.  My friend who is really tiny was infuriated and screamed at IT to “let go” and to “get away” My friend tells this story in way that makes it sound very humorous but at the time it was not because It is huge and we are not.  We did not know but her brother was worried about IT bothering us so he had told the bouncer to keep an eye on us when he went to the other side of the bar. I am so grateful he did because the guy was looking out for us and saw the whole thing.  He ran over and pulled IT away and IT got thrown out before the Darkness even came out.   We later heard that IT was very angry and pacing up and down the street in front of the club not wanting to leave.

So when I see people mentioning IT online it kills me that IT slides through and in and slithers around and no one knows.

I know IT is out there but I still go out and I am still present and I am living my life and doing what I love every day.  I am done with this – I am taking the power back from IT. To those of you who are being stalked or have been I say this. There will always be those people who want a piece of you if you shine brighter than they do,  those who are jealous of you because of your light, because you are smarter, prettier, more talented, funnier, the reason does not matter, there is no good reason. They need to be called out; they are the ones who need to be hiding in shame and exposed.  

STALKED

I’m not hiding I’m free

empowered

though IT slides in

and through

and slithers around

and no one knows

It lurks and watches and

is hiding in sight

and no one knows

It stalks

exposed It loses power and slithers to

Its corner of shame deflated

 

 

 

Art Inspires Art - the Benefit of Creative Community    Saturday, April 30, 2016

"She's Alway's Watching" Marcy LaBella 2016 Tea Bowl handbuilt 

I have always been involved in creative community, ever since my earliest years as an artist.  I have always been creative and I cannot remember a time that I did not make art, write poetry, play music. I have always been drawn to other people who are similarly creative and have been lucky to have a large ecclectic quirky bunch of friends .  I am always interested in what people are making, their process, what they are doing, writing, playing.  In my teens and 20's I belonged to a large group of young artists and musicians who wrote and played their own music. We put on our own shows, made our own flyers the old fashion draw, cut, paste and xerox way.  We did our own promotions and supported each others work. Some of us were also actors, writers, poets, painters and photographers - we turned out for each others openings, plays and cheered each others success's even the minor ones.

"Wisdom" Lois Eldrich and Lori Lapin in Deep Discussion 

When I moved to a rural town in my early 30's I felt lost. While I loved my old farmhouse, the living in the country and room to spread out; there were no other artists here. The nearest city had no such arts community and I had come from New Haven Connecticut a city who has a proud and vibrant arts history, art followers and lots of artists. For a while I joined a grassroots gallery co-op that was short lived but vibrant. We threw fabulous opening for our revolving gallery shows and our opening turned into block parties with live music, belly dancers and shenanigans.  It was a short lived though fun ride and was quickly folded as we lacked the funding to continue our mission.  I finally found a home at a 60 plus year old co-op called Wesleyan Potters where they had just three crafts Ceramics, Fiber Arts and Metal Smithing. I had recently gotten back into ceramic sculpture and started taking classes there - soon I found a very active group of passionate artists.  I had already been taking ceramics there after a huge break from clay and was re-emmersed in this second craft.  I was already working in clay for 3 years at Wesleyan Potters when I applied for membership and was accepted into the of the guild and co-op as a juried member in clay and in metals.

She's Always Watching detail

She's Always Watching Detail

I currently teach in both both ceramic sculpture and jewelry making at this wonderful community arts center.  The best part of belonging to a co-op is NOT the 24/7 studio access which is sweet I have to admit.  It really is the mix of people that come through the doors, the fabulous wealth of knowledge from the members, instructors and students and the community coming together for our many events.  As in all co-ops we do lots of work together to make our co-op run smoothly but the exchange of ideas, opinions(more then you want sometimes), creative energy, wisdom, infectious enthusiasm from others working in your medium make it well worth the effort. We are like a big (100 member) slightly dysfunctional but still affectionate family.  It's definitely a place I think of as a second home.

Co-ops are only one place to connect to other artists - next time I will talk more about places to  meet with and connect with artists in your own community and online.

Namaste,

Marcy

Spring and the Season of Renewal    Thursday, April 7, 2016

Soar 16"x20" Mixed Media on Canvas Marcy LaBella 2016

Emerging from Winters Grip

Though I haven't exactly been hibernating,I am more than ready to come out of the winter, which I consider to be a cold and dark season.  I tend to keep a very busy schedule over the winter because I find myself wanting to tuck in and hibernate.  

I had a full teaching schedule this winter, 3 childrens classes and one fabulous adult class in ceramic sculpture.  I met some really wonderful women in my ceramics class and we did some really great work together.

I find that I need to re-committ myself to my blog posts and to being present here at least 2 times a month to update what is going on in with my own work and with what I am doing with my students. 

 Spring time is such a great time to re-committ to any spiritual and creative work.  I find that you cannot separate the two - creative work always comes from within and carries the deepest parts of ourselves and contains the spiritual whether we intend it to or not. Art and creative work such as music, poetry, dance, and performing arts are soul work and need continuous observation, feeding, tending, weeding out and re-seeding.

Nature Spirit Ceramic, cone 6, slips engobes Marcy LaBella 2016

Like a garden over winter, creatives have down times and periods of hibernation, rebirth and renewal.  Using these lulls to do necessary studio chores, sketch out ideas for the future and explore new materials leaves one ready for periods of what I like to call frantic art making. One important thing I have learned is to keep the work going even during down times, you cannot improve on nothing. Doing something creative everyday is akin to planting seeds.

Know that when you feel as though you are in a creative slump or a period of non-creativity, you are just like a seed, deep in the ground, germinating and getting ready to burst forth with creative life.

 

Namaste,

Marcy

 

Making Art With Children    Thursday, April 7, 2016

 

"All Children Are Artists"

Pablo Picasso

 

        Gwenie and Grace free painting with watercolors - Exploratory Art K-2

When making art with kids I am acutely aware of how the precious gift of natural creativity is so present in their beings. Part of what I try to do is create a balance between developing real observational drawing skills combined with non-objective drawing and mark making to keep things loose and fluid. Beautiful fluid and dynamic marks, color and the ability to transfer feeling, movement and energy without drawing a particular object is just as important as careful rendering and can say just as much with equal value in my humble opinion.

Girl with a Flower by Iliana age 5 Exploratory Art K-2

 

In addition to this I believe that children, especially those in the early grades should be given an opportunity to work with a wide variety of art materials. Changing the colors, textures and different properties gives them a wide range of options to develop skills and find a place to develop likes and different ways of working creatively.

 

Mixed Media Portrait Exploratory Art K-2

Another thing that I always find so very important in my classes is to set aside part of each classtime for free drawing time.  This is completely unstructured time for kids to use oil pastels, markers or regular crayons to draw whatever they want on plain white paper or newsprint.  I try to start and end each one of my classes in this way. Why is this important? It is complete decompression time..free drawing allows kids unbridled downtime to allow their imaginations to expand.  It is time to create fantastical monsters, beautiful princesses, mermaids and fierce army battles. It is a place to re-create conflict from the placeground or home in a safe, managable way.  Sometimes it can be sad, joyful and other times hilarious. Yes I love my kids structured projects - they listen, pay attention and boy can we really make some great things together. One time in a camp week I saw a three year old go from drawing nothing but scribbles to drawing simple faces from watching and copying her classmates during free drawing - how powerful!  As an instructor I always have to remember that art is also a time for introspection and  quiet personal development - even for  kids.  Sometimes my job is to just stand back and allow for that magic to happen.

Free Watercolor Painting by Gwen age 5 Exploratory Art K-2

Namaste,

Marcy

 

 

 

The Daily Painter - My Morning Studies    Wednesday, December 30, 2015

Morning Study - 12"x12" mixed media, charcoal, graphite, gesso, mediums, watercolor paper, ephemera Marcy LaBella 2015

Daily Painting?

"Dont think about making art, just get it done. Let other people decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art"

Andy Warhol

Daily art practice can seem like a daunting prospect and it can be easy to procrastinate about doing it if you believe that every piece you are creating has to be museum worthy.

However, there is a movement over the last few years of daily painters and daily art makers.  Web pages based on that concept, 365 faces per year challenges, web groups that promote and sell work of artists that are working daily and making smaller scale work. How far would your art progress if you made just one small project every day? I can tell you that you would quickly find that you will almost immediately be spending more time in the studio then you believed possible.

What a lot of people are finding is that committing to a small window of time and a small project each day - vastly improves their work. Small projects are do-able, give a sense of accomplishment, and it's easy to see progress over a short period of time.  You may not be as daunted when facing a 6"x 6" canvas as you are when facing a 20"x 20" one. The same goes for sketching, drawing and collage or any practice from writing, to sewing, to songwriting or any creative endevor.

It may also be easier to market and sell your smaller scale art.  While selling larger scale paintings might take longer and you may need to go through a gallery or second party - you can easily sell and ship smaller less pricey art through your own web store or etsy.  Small works can be digitally photographed and made into greeting cards and sold time and again.  Getting together with other daily practice artists to sell together is getting more popular. Many groups and web pages can be found online to help you promote and sell your work such as The Daily Paintworks a website dedicated to promoting and selling the work of daily painters.

 https://www.dailypaintworks.com/

Sometimes just getting started is the hardest part - try setting aside just a half hour to draw, paint or collage and see what unfolds in your personal practice.

Namaste,

Marcy

 

 

 

 

 

 

 

 

 

 

Giving Back    Monday, November 30, 2015

Wesleyan Potters Donation 2015 to the Wadsworth Atheneum Festival of Trees

Wadsworth Atheneum Museum of Art, 

600 Main St, Hartford, CT 06103


(860) 278-2670

 

"No one has ever become poor by giving" Anne Frank

 

Tis the season as they say and even in the world of non-profit art organization it's time to remember to give and support each other's missions.  Each year the Wesleyan Potters creates a Christmas Tree for the Wadsworth Atheneum's Festival of Lights tree sale fundraiser.

 Our crafts people create ornaments, a topper and a tree skirt.  The trees are auctioned off by the museum to fund their programs and facility.  This year I was asked to create the topper.  I was a little pressed for time and the studio was already closed...but I agreed.  I decided to do one of fiber and upcyled some brocade fabrics, swarovski crystals and wire to create a tree topper.  The entire thing is built up on a tomato cage armature that has been covered in quilt batting and covered in fabric and beaded.  None of the tree colaborators had been in touch be we all came together with a gold theme and the tree looks fab!  

 

Don't forget to check out all of the beautiful trees at the Wadsworth Atheneum this season!

 

Namaste,
Marcy

 

 

 

Wesleyan Potters Annual Sale    Friday, November 27, 2015

           

             Wesleyan Potters Annual Sale 60th Year 2015

There is a lot to be said about those who create and those who buy and appreciate hand made hand crafted items.

On the creative side I can say there is an inner motivation and creative force that continuously propels my work forward. I feel a strong drive to create work, share ideas with other artists and to teach what I have been developing with other people.  Less often we talk about the people who appreciate, love and purchase our work.  It is important to bring them into our dialog because without their input and support our art centers and studios would not be self supporting. It is as important to find fullfillment and happiness in owning, using and living with art as it is to create it - it is a symbiotic relationship.

Each year Wesleyan Potters the co-op I belong to completely deconstructs it's studio and turns itself into a huge gallery. This year is our 60th such celebration. This is no small undertaking and takes place over a period of weeks - it is an amazing transformation. 

Please join us for our 60th Annual Sale!  This year I have Ceramics, Jewelry and Cards in the sale...see you there.

350 South Main Street, Middletown, CT 06457 860.347.5925

 

 

 

 

Making Art With Children    Thursday, October 15, 2015

Not only do I love teaching children especially the kindergarten through 2nd grade level I normally work with...I just really find their art inspirational.  Kids are just so free and expressive about creating art at this age, they have no judgement about mark making, color choices and they work with complete abandon.  It is very magical to watch their process which is completely and totally uninhibited. The regularly tell me how great they are at art which makes me giggle and of course I always agree with them.  I see so many adults who are terrified to do anything without help,  without asking, or without an instructor hovering over them.  Kids can't even wait for the instructions before they are ready to dive in.

Syndicate content

Find Me On Facebook   Find Me On Pinterest   Find Me On Twitter   Subscribe for RSS Updates   View my LinkedIn Profile